Chapter 1153: Blank Space, Cutting Mirrors and Three-Stage Rhythm

[Finally I found an article about the language of the lens, it's really good]

[Indeed... I thought I only remembered the parallel editing and the last scene of Mossen crying after watching the movie, but when I read this review, I found that I actually remembered the parts mentioned by the author]

["Daytime Rain" is still too depressing. I have a strong tolerance, so I didn't feel anything about the murder scenes, but I was really sick of the two scenes where Mossen was deceived into drinking "drinks" and forced to drink swill. This is probably the "white space" in the language of the lens. Director He didn't shoot it, but people like me with rich imagination will automatically imagine the scene of Mossen lying on the ground licking those things or being grabbed by He Ye and forced to drink them into his mouth...]

[Ahhhhhhhh, can the above person fold your reply, please # I'm going crazy]

[It's over, I'm already feeling sick (closed eyes) I'll buy a pair of eyes that haven't seen the second floor's reply for a lot of money]

[Ah, if the comments didn't mention it, I would have thought that the white space treatment was for review. Sure enough, the brain is the most terrifying thing. . . 】

【The mid-shots and long shots in "Daytime Rain" are very meaningful, and the above-mentioned scene is one of them. The camera was very far away, and only three blurry figures could be seen. The playground was empty, and there were teaching buildings and cafeterias in the background. If I didn't know the cause and effect, I might just think it was an ordinary empty campus shot... Alas, it's even more miserable to say it this way, and there are pictures of hell hidden in ordinary scenes】

【I would also like to share a few humble opinions. Please don't blame me if I'm wrong. At the end of this film review, it was mentioned that Tian Gang in the flashback is always between light and dark. I want to say that there is actually another way of dealing with it in the film, when Mo Sen came out of the school infirmary and Tian Gang walked out of the school gate with him. (See Building in Building for details)】

【[Reply] At that time, Tian Gang felt guilty and guilty for his behavior of watching, and pretended to apologize to Mo Sen. After being forgiven, Tian Gang was relieved and happily talked to Mo Sen about other things. The lighting here is very skillful. Although Tian Gang is facing Mo Sen, he has his back to the setting sun, blocking the sunlight that should have shone on Mo Sen, leaving Mo Sen in the shadow. 】

【[Reply] Mo Sen was completely unaware that Tian Gang knew He Ye prepared the "drink" but pretended not to see it. He also treated Tian Gang as a good friend and easily forgave him, thinking that he was very good. This contrast combined with the picture is really...】

【[Reply·Reply] I vomited blood, it hurts so much, you thought your friend was a real friend, but he was happily illuminated by the sun, but actually blocked your light】

【[Reply·Reply] I learned # Surprised, there is such a metaphor】

【My opinion is different from the film reviewer. I remember that there are still many close-ups in "Daytime Rain", right? Especially when Mo Sen was fighting with those people, I still remember the scene where his face was flushed or he was baring his teeth.]

[Yes, I think so too. Qin Jue was really brave to shoot. It shows that his face is original # Funny. People who have had plastic surgery would not dare to have such messy facial features # Funny]

[Actually... Mo Sen is still quite handsome when his face is not working hard... (covering my face, I am really not a fan, I can only say that Qin Jue has a good foundation]

[I watched "Daytime Rain" again today, and found that there are very few BGMs, basically all natural sound recordings. It turns out that the sense of reality is the effect of all kinds of details added together.]

[The bass piano during the parallel editing and the lyrical pure music at the end, the music I remember seems to be these two parts]

[By the way, did you notice that the old man likes to cut the camera suddenly this time?]

[Really? I remember there was a same scene switch (the same surprised expression, Tian Gang switched from talking to Wang Dali to Sitting in a coffee shop), sound before picture (sound effects or lines before cutting to the screen), soft transition (Qiu Xue wakes up from a dream/close-up of Tian Gang's eyes turns to Cao Hao's car lights) and character perspective (Su Qi/Qiu Xue looks down and the camera moves with it), etc. These are all common techniques and are not sudden.]

[Is the above person talking about the short segment after the parallel editing? It's when Mo Sen throws out the burning newspaper ball, and the next second it cuts to the tissue ball thrown by Tian Gang hitting the edge of the trash can. I think this little connection is very clever]

[No, no, no, you misunderstood, I'm talking about the shot that gives people a very "abrupt" feeling. Let me think about it. , when Cao Hao drove to surrender himself (or to kill Mo Sen?), it was really sudden, and the scene of Mo Sen doing something to He Ye's body was cut, which scared me at the time. And when Mo Sen was pressed by Cao Hao, and the picture was shaking, Mo Sen's face was suddenly given a close-up. It was all quite scary. 】

【Oh, so it was here... Then I understand, maybe the abruptness was intentional. Apart from other things, there was Tian Gang and Qiu Xue's first home plate, and then there was Mo Sen doing something to the body on a rainy night... This contrast suddenly pulled the picture from erotic to vulgar. Although it was uncomfortable to watch, it was indeed filmed, and the audience's psychology and the rhythm of the film were well grasped OK]

[Reply from a distance. Speaking of the transition of scenes, I would also like to talk about Qiu Xue's part. She was first sitting at the desk surrounded by rumors, and then the moment she stood up, the surrounding environment changed from the classroom to the door of the bar. This special effect (?) was done very smoothly, and the content to be expressed was also easy to understand. It was as comical as Wang Dali's cold humor at the beginning]

[Right, right, right]

[The author is really not modest. The whole article is subjective and imaginary. You said that the empty shot on the road was the usual way home for Tian Gang and Mo Sen after school. I can accept it, but how did you see that the small bunch of wild flowers on the bench symbolized the dead purple prostitute? ]

【？ Did the above reply to the wrong post】

【Oh, it seems that I jumped from here to the next page and accidentally got stuck back when commenting】

【Seeing the plot rhythm mentioned above, I will also reply remotely. There is a "three-stage rhythm" in "Daytime Rain", which is a textbook-level horror plot shooting technique. It is recommended that fledgling directors learn it well. It does not take up a page, see the post in the post↓】

【[Reply] The part where Mo Sen waits for Qiu Xue to come back at Tian Gang's house consists of three turning points. In layman's terms, it means "you think it's coming, but it hasn't come yet, and you just relax your vigilance, but it comes instead." 】

【[Reply] The specific manifestation is: 1. Qiu Xue goes up the stairs and opens the door. At this time, the audience thought that they would usher in the "opening door kill", and they were all alert that Qiu Xue would be held down by Mo Sen the moment she entered the door like the sanitary napkin white-collar worker before. However, it didn't happen. Qiu Xue entered the house safely, and everyone breathed a sigh of relief. 】

【[Reply] Then 2. Qiu Xue put something on the ground, turned her head inadvertently, and her expression froze. At this time, the audience took a deep breath, and was alert again, worried that the next shot would be Mo Sen standing in front of Qiu Xue. What happened? No, it turned out that Qiu Xue saw the kitchen window, and everyone was relieved again. 】

【[Reply] Finally 3. The picture paused for half a second, and the audience realized that what really made Qiu Xue stunned and scared was not the non-existent figure outside the window, but the broken glass. The broken gap suggested that it was very likely that Mo Sen had broken into the room. So at this time, Qiu Xue, who reacted, quickly stood up and turned around, and the audience's heart, which had just been put down, was suspended again. 】

【[Reply] At this moment, the camera also did not use the classic "face-to-face kill", and did not suddenly let Mo Sen's face appear on the screen. Consistent with what was mentioned in this film review, there was no close-up when it should have been. In the few seconds when the tension was full, the camera was aimed at the house, and a pale head slowly popped out from the background. Mossen finally appeared, and the fear and oppression soared to the extreme. 】

【[Reply]At this point, the "other shoe" that the audience had been waiting for just landed, and then before they could catch their breath, their emotions were immediately pulled into a new tension by the plot of Mossen chasing Qiu Xue. 】

【[Reply]Simple summary: The first time the appetite was suspenseful → expectations were not met, a false alarm → the second time the appetite was suspenseful → expectations were not met again → the third time came to the real chapter, the rhythm was slightly slowed down to give the audience time to react, and then the foreshadowing was completely recovered to meet expectations. 】

【[Reply]Looking back on the whole process, it is not difficult to find that the rhythm of this part is quite sophisticated, with a moderate degree of tension and relaxation, and the suspense is always online, but it will not make the audience emotionally exhausted because of long-term vigilance, tension and expectations without timely feedback. 】

【[Reply] It is said that the old ones are the best. This set of operations is so easy for Director He to do, giving people an illusion of simplicity. In fact, if it is another director, it may not be able to control it so exquisitely. Okay, I'm done. I'm sorry that I have stacked so many buildings by myself. I'm going to leave now. 】

【[Reply·Reply] I was shocked... Is this the master among the people? I bow to you! # Bow】

【[Reply·Reply] Wait, I said why the ID looks familiar, and after a closer look, it turns out to be the teacher who analyzed the color tone and props? ! 】

【[Reply·Reply] What, is there a link for me to see? ? 】

2700+, good news: these chapters are safe; bad news: the material of "A Hundred Years of Light and Shadow" has been stuck for three days (vomiting soul