Chapter 139 Magical Romanticism

By mid-January, no one doubted the fact that Zhuo Yang had awakened. His miraculous rebirth still occupied an important position in the media.

However, to the football world, he is already a 'former player' and a legend in the football world. Just as no one doubted his rebirth, no one thought he would become a professional player again.

No one even thinks about it. After all, he is very lucky to be alive. The tragic situation he suffered 14 months ago is still vivid in his mind. It is a miracle that he survived, and it is an unparalleled miracle that he can walk for the rest of his life. It should not and cannot be asked for too much.

In the eyes of the world, Zhuo Yang will concentrate on embarking on the path of a classical music piano master in the future. Of course, this is on the premise that his brain and fingers are still qualified.

Zhuoyang did start his recovery from the piano.

He was listening to Kou Kou playing the piano, playing the only piece of "Code Rhapsody" that could be played legato.

If we only look at it from the perspective of professional skills, Kou Kou's playing is undoubtedly very jerky and clumsy, and her fingering is not as proficient as some children who practice piano. Moreover, the simplified movement no longer has a full and rich feeling. It has no foil or matching, and looks pale and blank, too simple.

Piano cannot only pursue dazzling skills, but it cannot completely abandon dazzling skills.

If any expert in the industry were to listen to the "Crypto Fantasia" played by Koko, it would be a beginner reluctantly playing a dry and boring piece of music. If you listen to it hard, it will make their ears depressed.

But Zhuo Yang was fascinated by what he heard, and he was definitely not in love with his wife.

Kou Kou's "Code Rhapsody" is the 'key' for him to return from the dream world. What emerges in front of Zhuo Yang's eyes is the boundless sea of ​​fire that night, a bizarre psychedelic world, and more than six hundred years of magical experience.

To talk about music without artistic conception is to be a hooligan.

Zhuo Yang is the only musician who can capture the artistic conception of the simplified version of "Code Candy" and the only one who can understand it.

To Zhuo Yang, the simplification of the music is a kind of minimalism, and the accompanying empty space happens to be similar to the blank space in Chinese paintings. The music appears to be vague, but in fact it is infinitely mysterious.

A new musical door slowly opened in front of Zhuo Yang.

From the creation of "Princess Kou Kou Suite" in 2008 to the performance of "Unparalleled in the World" at the New Year's Concert "Meeting Chopin" in Warsaw on New Year's Day in 2009, Zhuo Yang began to form his own music creation style, which was later called "New Romantic" in the industry ism'.

By the time of the large-scale piano epic "Grace Meredith" in Vienna in 2011,

In fact, Zhuo Yang's style is completely mature, and New Romanticism is basically complete.

From 2008 to 2011, it was Zhuo Yang's creative peak period, which established his status as a piano master in the classical music world.

But since then, Zhuo Yang's creation has entered a relatively low ebb, and he has also begun to think further about music.

In other words, "Master" is not the end of Zhuoyang's classical music career. He still needs to sublimate, touch the sky limit of the piano, and try the heights that his predecessors have not reached.

But just like he was confused in life, Zhuo Yang knew that he had to move forward in music, but he didn't know the direction.

But Kou Kou, who had only practiced piano for two months, inspired Zhuo Yang with an empty "Code Rhapsody", and his accumulation was more than six hundred years of fantasy experience.

Zhuo Yang's "New Romanticism" music style is extremely gorgeous and gorgeous, integrating Bach's court and Liszt's enthusiasm, and it is also a tribute to Chopin.

New Romanticism is extremely complicated in terms of music creation. What Zhuo Yang needs to do now is to remove the complexity from New Romanticism and use the essence of musical language to describe more exciting movements.

To describe it in football, it is like evolving the show-off Madiburg Zhuoyang into the efficient and practical Real Madrid Zhuoyang.

To describe it in terms of martial arts, it is like Luda integrating all eighteen weapons into the black iron heavy sword, evolving into a swordless Dugu Qiubai.

Music, like football, martial arts, and literature, all require experience and life. Without precipitation and immersive experience, it is impossible to achieve excellent results out of thin air. Looking at today's world, who has more experience than Zhuo Yang, who has more life experience than him, and who has more immersive fantasy experiences than him.

Who has a grander worldview and a more profound view of history than him?

Zhuo Yang was not willing to move Kou Kou away from the piano bench, but let her sit in his arms, and played the extremely simplified "Code Rhapsody" in an ambiguous posture.

Honestly speaking, he is not as good at playing as Kou Kou.

Even if Zhuo Yang has so many things in his mind that he can never leave his hands and sing, he hasn't touched the piano for 14 months, and he hasn't even practiced for more than 600 years. I have everything in my heart, but in fact my fingers are not as obedient as Kou Kou's.

Artists are all very personable. For other piano masters, it would be so awkward that they would have to smash the piano again in annoyance to relieve their anger. However, Zhuo Yang did not feel the slightest bit ashamed and angry, and just casually started playing with Kou Kou on the keys with four hands. .

Kou Kou is just playing. In fact, she does not have any musical talent, especially no talent in playing musical instruments. It seems not difficult to understand that Zhuo Yang did not understand music or Cuju at all in his dream.

The guidance in the dark made her catch up and practice a song "Crypto Rhapsody", which became the key to bring Zhuoyang home, thus fulfilling her destiny. He wanted her to continue her studies in the field of piano. There is no motivation and no innate conditions.

Even if the piano is replaced with the Sun-Yue Qin, it won't work.

The four-handed bombing quickly became meaningless. Kou Kou changed her posture, sat face to face in Zhuo Yang's arms, and hugged his waist. Zhuo Yang was playing on the keys, and she was squeezing his back with both hands, each playing his own piece.

The piano room is filled with clumsy piano sounds and strong romance.

Surrealism and counter-logical thinking; absurd dreams and rich history;

Reinforced concrete jungles and lonely mountain huts;

Men, women, beasts, demons, gods and monsters;

Reality and fiction, legend and interpretation;

The science fiction movies I watched with my mother when I was a child, the sonnets I still remember when I grow old;

Water and fire, mammoth elephants in the ice and snow and scrambled eggs with leeks without oil;

Loneliness and betrayal, longing and formalin;

The fictional Buzhou Mountain in "The Classic of Mountains and Seas" and the real Eastern Evil and Western Poison in martial arts literature;

the hyperreality in dreams and the unreality in myth;

The living dead, those who remain alive after death, the statues in temples;

The butterfly in the dream last night had just taken off its armor and had not yet washed away the blood stains after the killing.

…

Starting from the informal playing, starting from a re-imagined "Code Fantasia", starting from the four-handed absurd combination of Kou Kou's pity that his newly recovered body only allowed kissing and he was obedient to her.

From this night on, in the epic of classical piano music, it belongs exclusively to Zhuo Yang, as great and as grand as creation, and the magical romantic style was born.