Chapter 800 The World's No. 1 Young Talented Musician

The first song after the opening, although the lyrics and artistic conception are very oriental, but the melody, it traditionally follows the melody trend of Western music. It can be seen that this is the style of early Chinese pop music, which generally focuses on the restrictions of Western laws, and tends to be more in line with the requirements of harmony rules. Therefore, Zhang Yu believes that if handled properly, it can be transformed into a symphony. Zhang Yu also thinks that this show is suitable as the first show after the opening, so that the subsequent shows can be gradual without being weird.

The audience off the field also bought into Zhang Yu's idea...because this work made them very comfortable to listen to, at least they would not feel confused and irritable.

...

"This show sounds pretty good! The melody is pretty good, and I like the accompaniment part. I didn't expect the Chinese people's show to start very well."

"This singer's voice is very good. It sounds like an old singer with enough years. The only regret is that I don't know what the lyrics are about? I believe it must be very interesting!"

"Is it that good? I think it's just okay! I didn't hear any surprises in the melody, but the accompaniment part is okay. It seems that the Chinese people's choreography team is quite capable, even with such a simple note. Made such a big change. I hope the following shows can be so exciting!"

"I don't think there is much hope! After all, this is the first show to start, and it should be the best show for Chinese people. Usually a good show is followed by a few dozing shows! It's also normal."

"But at least this proves that they are not copycat art troupes. Right!"

"Hehehehe!"

...

The singers on the field were also very excited to sing at this time, because for him, he hadn't felt so comfortable singing for a long time. Especially when performing abroad, the band has always been hurt, and the accompaniment made by cramming is always unsatisfactory. But I'm not a professional arranger, so I can't say why I'm not satisfied with what I'm not satisfied with. But the music that Zhang Yu has adapted does not have this problem. He can perfectly integrate the melody and harmony, making it very comfortable to sing. It can allow the singer to exert greater potential. At the same time, as a professional singer with more than 30 years of singing experience, he feels that it is the first time that he has expressed the artistic conception expressed by this classic work.

The actors on the field and the audience off the field have language barriers, but Zhang Yu's emergence has mediated the distance. At the same time, the saying that music has no borders is a universal value concept, but not all musicians can easily eliminate this estrangement. Only the true master of music has this innate talent. Only they can build a musical communication system other than the human language communication system with the power of a few notes.

The successful conclusion of the first show was greeted with warm applause from the venue... Although some people still think that this show is wonderful, there may be certain coincidences, but in any case, the show is still wonderful. Therefore, the applause of the audience was a lot more than that at the beginning of the opening.

However, in the next performance, the whole show seems to have no slumps anymore. Almost every show feels much more exciting than the last show. It seems that every audience is looking forward to the next show, which is farther away. over the previous program. You must know that this kind of situation rarely happens in the audience's impression. In general, when performing comprehensive performances in Taiwan, there are always programs that look very good, and some are flat, especially when foreign art troupes come to perform, because of the estrangement, this situation is even more common.

But none of this has appeared in the performances of the National Art Troupe. To say that every program here has something to watch, it is especially unbelievable that many of the following programs are filled with a lot of strong oriental... Although when integrated There are a lot of Western music elements, but this is something the audience has never seen in previous shows. Especially instrumental music programs, because there is no language barrier,

It seems that it is not too much an audio-visual feast.

Jia Zhe's string quintet "Ten Thousand Horses Galloping" was almost completely changed by Zhang Yu, and it also allowed the audience to see the charm of national musical instruments for the first time.

You must know that this kind of feeling is very strange. Many of the audience in the hall have seen the performances of Chinese art groups. They have vocal music and instrumental music, but no instrumental music has ever given them such a strange feeling.

People seem to really see the torrent of horses rushing past, the shock is simply indescribable... The country's national musical instruments strengthen the visual effect of the music, which makes the appeal of the whole song increase geometrically .

Jia Zhe also showed his highest level on the court. It can be said that he has never felt that he is playing solo, and there will be such cool times. He almost seemed to have mobilized every cell in his body so that they could be more devoted to music.

The four components of string music that accompanied Jia Zhe around seemed to be fully integrated into this excellent piece... As professional string musicians, these people are of course more knowledgeable than the audience off the field. They have all seen it before. This is a musical instrument from the country called Erhu. Because art groups that came to Vienna to perform in the past have also used this instrument. In their impression, this is an instrument with a strong melody and a very infectious instrument.

Although everyone in the band spoke highly of the erhu, the collaboration was not so comfortable, and even seemed a little out of place. The members of the band also discussed this issue in private, and in the end they thought it was the relationship between the instrument itself, maybe because the resonance was not quite the same, so the effect was not good. But this time it was different, because of Zhang Yu's participation, although the harmony sounded more weird, it was more harmonious and comfortable. Moreover, Zhang Yu's note handling is far different from previous choreographers. He prefers to make notes shorter and more powerful, especially when it comes to accompaniment. The issue of note timing is almost harsh. Anything that makes him dissatisfied will be not acceptable to him.

At that time, several members of the band felt that Zhang Yu was a little too picky, but when the overall performance appeared, it was unexpectedly wonderful and perfect, which also made everyone feel Zhang Yu's greatness. The reputation of the world's youngest genius musician is definitely not deceived, and he is really powerful.