Chapter 2909 Carnival and Feast
After listening to Laplace's words, Angel suddenly understood why she said it was related to Gleipnir.
It turns out that the glutton's prey list is the ticket to the special dreamland of "the glutton's carnival".
Only if you are on this cleared list will you be eligible to enter the "Glutton's Carnival".
Therefore, when the whip covered with big Mary roses struck, its target was only Laplace and completely ignored Gleipnir.
In order to make Graipnir enter a special dream, Laplace simply held her tightly. If the whip was to trap Laplace, it would inevitably tie up Graipnir as well.
It is equivalent to saying that Gleipnir was forcibly pulled into a special dream.
This extra person not on the list caused another change in the "Glutton's Carnival".
A feast for the glutton!
This is the special dream created by the new mutation, which is a step forward on the basis of the carnival, turning the carnival of gluttons into a gluttonous feast of gluttons.
Normally, if the name changes, the difficulty here should also increase.
This is indeed the case. The three balloons with human heads that are constantly resurrecting and Bila turning into a mountain of meat are manifestations of the increasing difficulty.
But no matter how difficult it is, it's useless. Laplace and Gleipnir are too strong and have exceeded the upper limit of this special dream, so no matter how they change, it will have no impact on them.
"I see. If the special dream changes, then it is possible that the shape of the crystal creation outside will change accordingly." Angel showed an expression of sudden realization.
"I originally thought that the change in appearance was related to solving the mystery. It seems that there shouldn't be much connection." Angel muttered to himself in a low voice.
When Graipnir heard Angel's words, his expression paused, as if he had thought of something, and continued to fall deeper into thought.
Angel did not notice the change in Graipnir's expression, but continued to ask: "By the way, I just saw Laplace... No, I mean another Laplace, the one wearing a rabbit That time of service.”
Laplace: "What happened to her?"
Angel briefly described the situation of the rabbit girl. After describing the general situation, Angel finally couldn't help but asked his most curious question: "When she was fighting against the Minotaur Octopus monster, How did you teleport there suddenly? Is it a space-based ability? If so, why didn’t I feel the space fluctuation?
Laplace said calmly: "According to the rules of the wizarding world, you are spying on my ability."
Angel chuckled: "Just curious, curious. If Ms. Laplace doesn't want to say it, that's okay."
Laplace pondered for a moment, and then said: "No one knows about her abilities except me and my body, including the wise men. However, it doesn't hurt to tell you, after all, you have seen it with your own eyes."
The hidden meaning of Laplace's words actually ranks Angel with the wise man. The relationship between the wise man and Laplace is one of great kindness.
The fact that Angel can be ranked alongside the wise men is enough to show how much Laplace values his relationship with Angel.
"That is her self-created ability, the ability to create with my blood as a guide."
"The name of this ability is: Rabbit Hole."
"As long as there is blood aura left in the place where she has fought, she can use the blood aura to leap. This kind of leap seems to be space movement, but in fact it is a special movement created by the blood talent. method."
Precisely because of the existence of the "rabbit hole", the rabbit girl is the absolute king in long-term operations.
She cannot be killed instantly in a short period of time, so she can slowly deploy her blood aura to any area of the battlefield. Once the opponent is not paying attention, she can jump directly to the opponent through the rabbit hole and launch a series of attacks.
It can be said that the longer the rabbit girl fights, the less afraid she is of being restricted by space.
That's why Laplace felt free to let the bunny girl deal with the remnants of the exterminators, because she knew very well that none of these demons could defeat the bunny girl in an instant. The girl's long battle has backfired.
When Angel heard this, he understood the key.
However, what he still doesn't understand is: how does the "rabbit hole" move?
Is there really a method of movement that achieves the effect of spatial movement without relying on the power of space? Or rather, footwork?
"Of course there is." Laplace raised his eyebrows and looked at the hazy sky, seeming to see Angel outside the box garden through the sky, "Why, are you curious about this way of moving?"
Angel: "Curious. But what I'm curious about is, is she the only one who can do this kind of footwork? If she relies on the power of other bloodlines, can she move like a rabbit hole?"
Laplace whispered: "You want to learn?"
Angel: "No, I haven't merged with any extraordinary bloodline, so I shouldn't be able to learn it. However, I know a bloodline wizard..."
Laplace: "You mean the hunter looking for the treasure?"
The hunter who is bent on pursuing the treasure that Laplace talks about refers to Doakes.
Doakes is also a bloodline wizard. However, when Angel said these words, he was not thinking of Doakes, but his biological brother, his brother Leon.
Leon is also taking the bloodline path. If he can learn this way of movement, his combat effectiveness and life-saving ability will be significantly improved.
Although Angel was thinking about Leon, he did not say it out loud, but answered by default.
Laplace: "Whether I can learn it or not, I don't know. This combat footwork is unique to Laplace, so I didn't pay much attention to it."
This actually makes sense, because Laplace's body does not require any combat footwork at all. When the strength reaches the top level, the raising of hands and feet can cause powerful destructive power, and it is even easier to tear apart space. It only requires a devastating horizontal push, and no footwork is required.
The bunny girl is just the incarnation of Laplace, so it is possible that she will study these techniques.
"If you have a friend who wants to learn the rabbit hole, you can try to find Laplace. If she agrees, even if she can't learn the rabbit hole directly, with her creativity, she can tailor similar skills." Plaus paused: "However, the premise is that she agrees."
Angel: "It was difficult to get her to agree?"
Laplace said lightly: "Is it difficult to find out who the person is? She is very sensitive to malice. Any malicious thoughts, even just a trace of evil thoughts in your mind, will be caught by her. And once she is If you find malicious intent... then stop thinking about it."
Angel: "So, she has been avoiding me before because she thinks there is malice in me?"
Laplace shook his head: "That's not true. If you have any malicious intent, she will stay away from you even if we are around."
In other words, the rabbit girl's fear of strangers is actually her character.
From this point of view, if you want the bunny girl to teach the rabbit hole, you must not only not be malicious, but also find a way not to touch the sensitive points of her character. Thinking about it this way, the difficulty has increased a lot.
"It seems like there's nothing wrong with Laplace, so...where's Luigi?" Laplace asked at this time.
Angel: "Luigi's side is more troublesome than Laplace's."
Angel explained Luigi's current situation in detail.
He was close to the Dream Mountain, and he was still wandering near the only mountain path up the Dream Mountain. It seemed that if he was not stopped as soon as possible, Luigi would probably climb the Dream Mountain.
"I guess this may be because Dream Mountain will spontaneously spread its allure and lure outsiders to climb the mountain," Angel said.
Laplace said softly: "Even if there is no temptation, with Luigi's character who is curious about everything, it is difficult to resist."
Angel pondered: "Then, do you need me to stop him?"
Laplace shook his head: "No, if he really enters Dream Mountain, it's okay to let him suffer. Anyway, he can go offline. If he is really in danger, he will run faster than anyone else."
Angel thought about it and thought it was okay. Indeed, with the offline as a guarantee, Luigi would not be in any danger.
While they were chatting casually, Gleipnir suddenly interjected: "You just said that the crystal creations outside have extra heads. What do those heads look like?"
Gleipnir's sudden voice interrupted their conversation. Judging from her expression, she seemed to have discovered something.
Angel hesitated for a moment and said: "They all have the stamens of a big Mary rose. Their heads are big or small, old or young, male or female..."
Gleipnir: "Are all the faces different?"
Angel: "Maybe?"
Gleipnir: "Since you are outside, can you help me see if Bila is among these faces?"
Angel: "Okay."
A few seconds later, Angel said: "There is Bila, but there is only the Bila in Helen's Dream, and there is no Bila like this mountain of flesh now."
Graipnir narrowed his eyes and continued: "Are there any other people in this family? I mean, the people in the oil paintings in Helen's Dream."
Angel: "No."
Gleipnir continued to ask: "Is there Helen?"
Angel: "...Yes."
Gleipnir: "Are you sure? Is it Helen when she was a child?"
Because they only saw photos of Helen when she was a child in the study, it is unknown what Helen looks like now.
Angel: "Yes."
Gleipnir nodded: "Then help me see if the head I have here is the head outside."
I saw Gleipnir shaking his robe slightly, and the silver scales on his body began to reflect countless starlights, and illusory human heads slowly appeared in the starlight.
These people are old and young, male and female. Large and small, at least hundreds of them.
If you look at these heads individually, there is no difference, but if you look at them together, you will find that these heads are all: Helen and Bila!
Helen as a child, Bila as a child; Helen as a young and handsome young man, Bila as a fat and squinty-eyed girl; Helen as an old man who has experienced vicissitudes of life as elegant, and Bila as an old man who is still fat and mean...
From babies to octogenarians, the two people at different stages all emerged.
Angel distinguished it carefully, and then compared it with the flowers on the Big Mary Rose outside, and quickly came to the conclusion: "That's right!"
The heads in the rosettes outside seemed to include men, women, old and young, but in fact, there were only two people, Helen and Bila!
It was just that they were very densely distributed and did not show changes with age, so Angel didn't notice it for a while.
Now the human head displayed by Graipnir using the two-slaughter astrological disk has made up for Angel's lack of logic.
"As expected." Gleipnir whispered.
Laplace looked at Gleipnir: "Have you figured out the answer?"
Angel also curiously focused his eyes on Gleipnir. He was also confused about how Gleipnir found out this. You know, Gleipnir had never seen these human heads outside.
Gleipnir did not hide it and told the reason why she found out.
However, after listening to it, Angel was still confused.
According to Gleipnir, she heard Angel say "The change in the shape of the whip may be related to solving the puzzle", and then she thought of the current situation.
Eh... Eh? !
How did you think of this? Why did you think that the only human heads outside were Helen and Bila after hearing what I said, and you also accurately concluded that the different-looking human heads were actually the appearance of Helen and Bila at different stages? What was omitted in the middle to get this answer?
This is just like a painter teaching a beginner to draw. The first two steps are normal sketches, which are at the level where your eyes, brain, and hands can keep up. But you just blinked, and a gorgeous sunset appeared on the painter's cardboard. It's as if your blink of an eye is ten thousand years. And the beautiful scenery on the paper is like a laugh mocking your ignorance and incompetence.
The situation is the same now. What steps did Gleipnir skip to give the answer directly?
And why do you still take it for granted.
Is there such a cause and effect?
Also, Laplace, why do you look like you understand it?
Ingres was confused anyway. He didn't understand what the logic was.
So he asked carefully.
Gleipnir's answer was also very wonderful: "The stars will tell me the answer."
The stars will tell you the answer? ! So... the astrological prophecy is omitted in the middle?
Angel was confused, but he was too lazy to pursue the process. He just wanted to know whether Gleipnir could solve the puzzle of the exploration degree here.
The change in the whip's appearance should not make her think of the exploration degree as perfect, right?
While Angel was thinking this, Gleipnir had already opened his mouth and told the answer he had deduced...